FORMER GLORY RETURNS TO UNESCO'S RENOVATED JAPANESE GARDEN
Paris, September 15 {No.2000 - 87} - Visitors to UNESCO's Japanese Garden, or "Garden of
Peace", can once again admire the grace and splendour that first shone from
this masterpiece by the late Japanese-American landscape architect Isamu
Noguchi (1904-1988). After four decades of exposure to the elements, the
garden has been fully renovated and restored to its former glory. UNESCO
Director-General Koïchiro Matsuura will inaugurate the renovated garden on
September 21.
Located in the heart of Paris, on the grounds of UNESCO Headquarters, the
Japanese Garden is a haven of tranquillity and a unique combination of
tradition and modernity, donated to UNESCO by the Japanese government in
1958.
The 1,700 square metre garden - with its cherry and plum trees, magnolias,
lotuses and bamboo, a stream, a pond, a bridge and grassy mounds - offers
the visitor a spiritual and aesthetic experience through its idealised and
stylised representation of the world. It forms a unique microcosm, dotted by
80 tons of sculptural rocks selected by Noguchi and brought over from Japan.
Noguchi chose to give the traditional Japanese garden a personal twist in
order to adapt the space to its modern surroundings. The upper level, in
particular, has little to do with conventional Japanese gardening. But
enough of the Japanese tradition remains in Noguchi's work to make the
garden stand out from its setting. The result is a stark contrast between
old and new, between the natural and the man-made. The hybrid nature of the
garden itself reflects Noguchi's efforts to reconcile his Japanese and
American cultural influences.
Closest to the Japanese tradition is the large stone and hill arrangement,
which evokes the common 'Horai' (island where the hermits live) tradition. A
strong Japanese influence can also be felt in Noguchi's use of rocks
throughout. Noguchi believed that it is the rocks that make a garden. Plants
and trees come and go, but rocks give a garden its essential quality. They
are its bones.
Noguchi conceived of his Japanese Garden as a place to walk around, so that
the relative value of all things within might be perceived. The raised paved
area in the centre of the lower garden recalls the 'Happy Land', the land of
the dead in the Buddhist religion. One arrives on it and departs from it
again with time barriers of stepping stones between. It is a land of music
and dancing, and can be viewed from all around the garden, and from all
levels of the surrounding buildings.
At the entrance to the Japanese Garden is Noguchi's Peace Fountain. A tall
source stone, the largest stone in the garden, stands in a rectangular pool
with water cascading over Noguchi's mirror-image Japanese inspired
calligraphy for the word 'Wa' - 'peace and harmony' in Japanese.
Jutting out from the wall directly behind the Peace Fountain is the Nagasaki
Angel. The statue originally appeared on the façade of the Urakami Church in
Nagasaki. It was the only part of the church spared from destruction by the
explosion of the atomic bomb that was dropped on Nagasaki on August 9 1945.
It was donated to UNESCO by the city of Nagasaki in 1978.
Further behind the Peace Fountain, at the end of the patio, stands the
cylindrical, one-story Meditation Space by contemporary Japanese architect
and artist Tadao Ando. The structure rests on a slanted surface paved with
granite exposed to the atomic bombing of Hiroshima on 6 August 1945 and
subsequently cleaned for use in Ando's work. A constant flow of water now
washes over the once irradiated slabs of stone.
At the opposite end of the garden, on the wall of building 3, is "Water
Rhythm", a painted mosaic by French artist Jean Bazaine. Its "living"
surface is achieved by its carefully chosen assortment of enamelled pieces
of ceramics and stones.
The sculptural quality of the Japanese Garden can best be appreciated from
the large bench near the Peace Fountain, made of a split Red Cedar from the
Mac Millan Bloedel forests in British Colombia, and donated to UNESCO by the
Canadian government.
Every year in May, a fish shaped wind-sock is raised on the flagpole to mark
Boy's Day, a traditional Japanese festival. The garden sometimes serves as a
location for Japanese tea ceremonies. It is open to the public from 10 a.m.
to 6 p.m. every weekday.
Japanese master gardener Toemon Sano the 16th recently restored the garden,
in keeping with Noguchi's will. After forty years, both the soil and trees
had grown weak. Restoration work, begun last September and completed in
March this year, was sponsored by the National Federation of UNESCO
Associations in Japan, the Cultural Foundation for Promoting the National
Costume of Japan and the Commemorative Association for the Japan World
Exposition (1970).
On the occasion of the Fête des Jardins de Paris, the Peace Garden will
exceptionally be open to the public during the weekend, on Saturday 23 and
Sunday 24 September (10 a.m. to 6 p.m.).
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Journalists wishing to attend the inauguration of the renovated Japanese
Garden can obtain an invitation from UNESCO's Press Service, tel. 01 45 68
17 44 or 45.
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