|
Spend an evening in
Havana or some other Cuban town such as Matanzas or Pinar del Río and you
get the feeling time is at a standstill. The past slips away, and the future is a
long time coming, so you are left stuck in the present. To be 20 years old in Cuba
is to be 20 years old for ever. It is either a wonderful gift or a refined form of
torment. The choice is yours.
Twenty is an age when you most feel the immensity of time. Young people have many
hopes, but they are quickly betrayed. After three or four dreams have come to nothing,
those that are left seem vain. Impatience makes you see everything that happens in
the same way. You haven’t yet learned the adult art of
concealing boredom.
Asking young Cubans about the future, or–to put it more bluntly–about their destiny,
is like asking them for a false address. They’ll say they’ve never heard of it, that
it doesn’t exist. The shrewdest of them will say that the future is elsewhere, not
here.
When you’re 20, you want to be somewhere else, far away. Perhaps most 20-year-olds
feel like that, all over the world. They certainly do in Cuba. The capital and provincial
towns and villages are full–crowded and empty at the same time–of things that signify
nothing. You’re at the ideal age to enter a new world, but you find the world around
you has already been taken over by others who got there before you.
It isn’t possible to create anything new in a country at the end of its history.
Revolutions come to power to make sure that governments stand still, on the grounds
that there have already been enough changes in the country’s history.
When you are young, you tend to look for things that have not been fouled up by earlier
generations, things that they did not know about and so are untainted by their approval.
Fed up with provincial life, people can set their sights on moving to Havana, while
people tired of Havana will want to leave the country. Afterwards, often when it’s
impossible to return, they will want to be back in Havana, or in some provincial
town or village. The reason for such wanderings is partly biological, partly political.
Or rather totally biological and totally political, if we accept that in cities human
biology has become political.
A thirst for adventure
The Cuban government
has often managed to turn this desire to escape to its own advantage. Taking part
in other countries’ wars, compulsory military service, schooling organized in the
fields, and the mobilization of teenagers all exploit this need to leave home and
slake a thirst for adventure. These are children’s crusades, exceptional intervals
in the prevailing stagnation.
Many are set on leaving–the youth who builds a raft and sneaks out of the country
on it, those who try their luck in the U.S. immigration lottery, or sell their bodies
to foreigners in the hope of getting help to leave the country. For people who live
in the unending present, the best ploy is to saturate each moment with activity,
until it gives way to the next. You can call that joie de vivre or a horror of the
void–take your pick. Young people in Cuba are full of both.
A social experiment like the 1959 revolution, which has spent so many years defying
the basic laws of economics, which imposes austerity as a way of thinking and poverty
as a daily routine, is bound to produce young people with an outsized acquisitive
instinct. To be 20 in Cuba is to be obsessed with money. A country where wages are
paid in the national currency but where you can only live if you have foreign currency,
incites people to flee, to go to the place where that currency comes from.
One might object that education will eventually change the situation of Cuban youngsters.
But teachers’ lessons do not deal with the real world. This is inevitable. Like all
education, Cuban education teaches people to aspire, to want certain things, to achieve
goals. But these are verbs that cannot be conjugated when time stands still, when
there is a void. If the youngsters happen to get good training, it will simply equip
them to live far away, abroad.
The equation boils down to shortages on the one hand, and money and beauty on the
other. This is a discovery made at 20 which stays with you until the day you sink
into oblivion and death.
In Cuba, at 20, you discover another reality: the inability to run your own life,
or to try to balance the two sides of the equation. But long before you reach 20,
you discover that what’s lacking is freedom. |
|
|
A Cuban rock singer rehearses
in Havana. Young Cubans, like their elders, love music and dance. Fiesta time means
salsa, timba, guaracha, mambo, rumba, rock, techno, son, guajira, trova, danzón,
bolero, and cha-cha-cha.
|
 |
The UNESCO Courier
|
‘The most beautiful land’
When Christopher Columbus landed on the island of Cuba in 1492, he wrote in his travel
diary that he had come across “the most beautiful land ever seen by human eyes”.
Today the 110,860-sq.km island, the biggest in the Caribbean, has a population of
about 11 million, more than half of them of mixed blood. One fifth of the population
live in the capital, Havana.
Since the 1959 revolution, Cuba has been a communist state headed by Fidel Castro
who, as well as being president is chairman of the Council of State and the Council
of Ministers, first secretary of the Cuban Communist Party (the only permitted party)
and commander-in-chief of the armed forces.
Education and health care for all have been two of the pillars of the revolution
for the past 40 years. As a result, Cubans have a level of literacy only surpassed
in Latin America by Argentina and Uruguay, and the region’s highest life expectancy
(76.1 years).
Several hundred Cuban doctors are presently working outside the country. The tradition
of sending doctors abroad started soon after the revolution began and peaked between
1975 and 1989.
In the early 1990s, the collapse of the communist bloc plunged Cuba into a serious
economic crisis. According to the Cuban government, the island’s gross national product
(GNP) fell by 35% between 1989 and 1993, and then rose by 2.5% in 1995, 7.8% in 1996
and 2.5% in 1997. According to United Nations statistics, Cuba’s per capita GNP was
$1,983 in 1995. Castro has cautiously opened up the country to foreign capital, allowed
the free circulation of the U.S. dollar, and encouraged the development of tourism.
These changes have led to the reappearance of social problems such as prostitution
and petty crime which had been eradicated or had become insignificant.
In the political sphere, the one-party system continues to exist, the independent
media cannot develop, and international human rights organizations deplore the way
dissidents are treated. An estimated one million Cubans are thought to live in exile.
|
|
Cuba’s new wave of writers and poets
The poet and short story writer Antonio José Ponte was born in 1964 in Matanzas,
about 100 km east of Havana, and in 1980 moved to the Cuban capital where he studied
hydraulics. After qualifying he worked as a hydraulic engineer for five years.
He has won Cuba’s National Critics’ Prize twice–in 1991 for Poesia 1982-1989 (“Poetry
1982-1989”, published by Letras Cubanas, Havana) and in 1995 for his book Un seguidor
de Montaigne mira La Habana (“A disciple of Montaigne looks at Havana”, published
by Vigia, Matanzas). In 1995, he was awarded a writer’s scholarship by the Alejo
Carpentier Foundation in Havana. His first book, Trece poemas (“Thirteen Poems”)
was published in 1988 by the Cuban ministry of culture and won him the young poet’s
prize in the same year.
In 1997, he published Asiento en las ruinas (“A Seat in the Ruins”, Letras Cubanas
publishers) and a short story, Corazón de Skitalietz (“Heart of
Skitalietz”). His latest book, Las comidas profundas (“Profound sustenance”), was
published in
Spanish in 1997 by the French publisher Deleatur, in Angers. This elegant and scholarly
work, which is hard to categorize (it is neither a short story, nor an essay nor
a novel) deals with the history of food and the relationship between human beings
and what they eat.
The International Writers’ Parliament in Strasbourg recently awarded Ponte a one-year
scholarship to live in Porto, Portugal, and write a novel. While in Portugal he will
continue to contribute to the Cuban magazines La Gaceta de Cuba, Union (the magazine
of the Cuban Writers’ and Artists’ Union, UNEAC), Casas de las Americas and Letras
Cubanas.
At 34, Ponte is one of the new wave of young Cuban poets and writers, including Leonardo
Padura, Abilio Estevez, Ronaldo Menendez Plasencia, Daniel Diaz Mantilla, Ismael
González, Alessandra Molina and many others.
|
|