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Preserving the magic

A tangible debut
Asbel López, UNESCO Courier journalist
photo
In Bolivia, the annual Oruro Carnival features a ceremonial parade involving 20,000 dancers.
A new era is beginning for the 19 cultural treasures that have been declared Masterpieces of the Oral and Intangible Heritage of Humanity by Unesco

When UNESCO’s Oral and Intangible Heritage of Humanity list was announced in Paris last May, several Spaniards dashed out of the ceremony and shouted jubilantly into mobile phones. They were letting people know that the mystery play of Elche had been proclaimed a masterpiece. The news spread like wildfire in the southern Spanish town and soon hundreds of people were out in the streets, letting off fireworks in an early start to the next day’s official festivities.
Such delight might seem a bit over the top, since Elche already figures on the World Heritage List with El Palmeral, a grove of date palms planted at the time of the Arab invasion 1,000 years ago when the town was in Muslim hands. But El Palmeral doesn’t move the people of Elche half as much as the “Misteri d’Elx,” as it is known in the local Valencian language.

Attracting media attention
Every year, on August 14 and 15, 300 volunteers stage a play in the town’s Santa Maria Basilica depicting the death, assumption and coronation of the Virgin Mary. The sacred musical drama is a part of the town’s cultural and linguistic identity that has been maintained since the 15th century.
The first to appreciate a cultural treasure being put on the Intangible Heritage List are those at the heart of such masterpieces–such as the five Indians who still speak the Zápara language in the jungles of the Amazon or the storytellers of the Djamma el-Fna Square in Marrakesh (Morocco). All of them are proud the world has recognized the deepest roots of their identity.
Getting on the list can also mean an end to decades of media indifference. India has thus rediscovered the Kuttiyattam dance theatre, kept alive today by five Chakyar families in the southern part of the country. In China, the oldest and one of the most influential theatrical traditions, Kunqu, has become the talk of the town. Such treasures were recognized already, but their arrival on the list gives them “a new dimension,” says Noriko Aikawa, head of UNESCO’s Intangible Heritage Section. This sudden fame is the key to raising funds, getting the authorities involved and securing international help.

Getting straight with history
This has happened with the Garifuna culture in Central America, which was put on the list for its language, music and dances. The Garifuna people (known as Garinagu or Black Caribs) are descendants of rebel African slaves who live in Belize (which presented their candidacy) and along the coasts of Honduras, Nicaragua and Guatemala.
To prevent their language from dying out, teachers from Belize’s National Garifuna Council went to Nicaragua to keep it alive. Roy Cayetano, Belize’s deputy minister for rural development and culture, says that after the list’s announcement, Nicaraguan culture ministry officials asked if they could support the project. This is important for plans to standardize Garifuna spelling, and provides valuable recognition for the 11,000 or so Garifuna scattered in 10 communities in the four countries.
UNESCO will also be funding other projects submitted by the new list members to preserve and promote such endangered cultural treasures.


www.unesco.org/culture/heritage/intangible

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