Inscribed in 2008 (3.COM) on the Representative List of the Intangible Cultural Heritage of Humanity (originally proclaimed in 2003)
- Tar master class
The Azerbaijani Mugham is a traditional musical form, characterized by a large degree of improvisation. The Mugham, though a classical and academic art, draws upon popular bard melodies, rhythms and performance techniques and is performed in many venues throughout the country.
Contemporary representations of the Azerbaijani Mugham reflect different periods of Azerbaijan’s history and its contacts with Persians, Armenians, Georgians and with other Turkic peoples. This musical genre shares artistic characteristics with the Iraqi Maqam, the Persian Radif and the Turkish Makams. In the past, Mugham was primarily performed on two secular occasions: the toy, the traditional wedding feast and the majles, a gathering of connoisseurs in private settings. It was also cultivated by members of the Sufi orders and by performers of religious dramas known as ta’zie or shabih. Official competitions and informal contests served to establish the reputation of accomplished musicians.
This modal genre features a male or female singer accompanied by musicians playing traditional instruments, such as the tar (a long-neck lute), the kamancha (a four-string spiked fiddle) and the daf (a type of large tambourine). Since Mugham cannot be transcribed in a fixed form, multiple versions are transmitted by masters who train students in the fine art of interpretation to ensure the variety of this artistic expression.
The Mugham has lost some of its aesthetic and expressive characteristics largely due to European influences, which are particularly apparent in the manner in which contemporary musicians perform and transmit their skills to the younger generations.
These videos (and many more) can also be consulted through the UNESCO Archives Multimedia website
Safeguarding project (01-2006/12-2009)
Like the Mugham sung elsewhere in the region, the Azerbaijani Mugham is characterized by a high degree of improvisation in singing and playing. Today, master practitioners train students in the fine art of interpretation to ensure the variety of this artistic expression.
The project seeks to give an incentive to the transmission of skills and knowledge to the younger generations and to promote of the value of this living tradition among the Azerbaijani community at large, and to raise awareness of the importance of the Mugam’s safeguarding. The project focuses on:
- training of young performers and support to Masters,
- public performances,
- documentation, archive preservation and training, and (inventory) promotion and awareness raising.
The activities include in particular four series of master classes organized in major towns of Azerbaijan’s provinces, following which a summer school will be organised in Baku. In the capital, a series of concerts are organised in various locations of Icheri Sheher, Baku’s Old Town in order to help re-establish such Mugam performances in a small and intimate setting. In addition, support will be provided to the National Archives for the digitisation of old recordings which date back to as far as the beginning of the 20th century. These activities aim at ensuring the viability of the Mugam by addressing both practitioners and the audience, and at enhancing the capacities relating to documentation and archiving.