http://www.unesco.org/culture/ich/en/RL/00082

Polyphonic singing of the Aka Pygmies of Central Africa

Inscribed in 2008 (3.COM) on the Representative List of the Intangible Cultural Heritage of Humanity (originally proclaimed in 2003)

Country(ies): Central African Republic

Identification

Description

Polyphonic singing of the Aka Pygmies of Central Africa

The Aka Pygmies living in the south-west region of the Central African Republic have developed a distinctive vocal musical tradition, which involves a complex type of contrapuntal polyphony based on four voices, mastered by all members of the Aka community.

Music and dance form an integral part of Aka rituals including ceremonies related to the inauguration of new encampments, hunting and funerals. Unlike polyphonic systems that are written down in notation, the vocal tradition of the Aka Pygmies allows for spontaneous expression and improvisation. During performances, each singer can change his or her voice to produce a multitude of variations, creating the impression that the music is continuously evolving. The songs are generally accompanied by various percussion and string instruments, each one played for a specific occasion.Among the most common instruments are a local type of drum (enzeko), a harp-like instrument known as the geedale-bagongo, and the single-string bow (mbela). The songs perpetuate essential knowledge for the cohesion of the group and the preservation of community values. The dances are performed to the accompaniment of vibrant hand-clapping. Depending on the ritual, some dances feature men only, while others may be executed by couples or by male and female solo dancers. Relying entirely on oral transmission, the Aka Pygmies have succeeded in preserving their musical knowledge within the community by including children in rituals from an early age.

The lifestyle of the Aka Pygmies has been drastically disrupted due to the changes currently taking place in the Central African Republic. The scarcity of game resulting from deforestation, the rural exodus and the folklorization of their heritage for the tourist industry are the principal factors contributing to the gradual disappearance of many of their traditional customs, rituals and skills.

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Safeguarding project (12-2004/07-2008)

The polyphonic songs of the Aka Pygmies are an integral part of their hunting and life-cycle rituals, a tool of communication and reaffirmation of community values. With socio-economic changes, deforestation and rural exodus, the Aka traditions are inclined to gradually disappear.

The project began with field research focused on documentation and anthropological data collection in the Central African Republic and the Republic of Congo. A database on the oral tradition of the Aka Pygmies was then created, which will be accessible to national and international researchers as well as the communities concerned. A subregional festival of the Aka Pygmies’ music and dance will be organised, in addition to training seminars and radio and national television programmes.

This project will contribute to sensitizing the populations of both countries and enrich their national identity, enabling them to obtain more knowledge about the intangible heritage of the Aka Pygmies and, ultimately, encouraging cultural dialogue and the cultural integration of the Aka Pygmies in subregional Central Africa.