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Le patrimoine culturel immatériel est souvent partagé par des communautés sur le territoire de plusieurs États et les inscriptions multinationales de ce patrimoine partagé sur les listes constituent un mécanisme important pour la promotion de la coopération internationale. Le Comité a décidé (7.COM 14) de créer un mécanisme en ligne par lequel les États parties peuvent, sur une base volontaire, annoncer leurs intentions de soumettre des dossiers et d’autres États parties peuvent prendre connaissance de possibilités de coopération dans l’élaboration de dossiers multinationaux.

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État(s) soumissionnaire(s)
et contacts
Inde; Iran (République islamique d’); Pakistan; Tadjikistan

Office for Inscription, Preservation and Revitilization of Intangible and Natural Heritage

Farhad Nazari

Date de soumission : 19-03-2015
Titre : Chogan, Chovgan, Chowgan, Chevgan

Intention pour : -

Communautés concernées : -
“Chogan” is a traditional game played on horseback between two opposing teams in which the objective is to strike a round ball (“gooye”) with a wooden stick (“chogan”) against the opposing team’s goal. The game is played over an open field called a “meydan”. The earliest records of chogan in Iran date back to over 2,000 years. Each game of chogan is accompanied by music, rituals and traditional dress. Such rituals include horse parades prior to games and actual chogan games during Norooz festivals, weddings, and many other popular social events. Chogan games are accompanied by a long oral tradition of reciting poetry and songs describing ancient chogan games. Chogan is featured extensively in local traditional art and handicrafts in Iran and chogan has been highly influential in such art as a basic element of traditional Persian miniature paintings. There is a particular type of performing art called “Shahnamehkhani” in Iran that features elaborate descriptions in Persian verse from the “Shanameh” of ancient chogan games in Iran. It is Iran’s intention to inscribe chogan and all of its various cultural dimensions jointly together with other regional nations that share this element for safeguarding.
Iran (République islamique d’)

Office for Inscription, Preservation and Revitilization of Intangible and Natural Heritage

Farhad Nazari;;;

Date de soumission : 19-03-2015
Titre : Celebration of Yaldā , Shab-e Chelle (Persian)Shab-e Yalda (Persian)Chilla Gajasi (Turkish)Chilla Gejasi (Turkish)Chille Gijasi (Turkish)Shew vi yelda (Kurdish)Chelle (South West of Iran

Intention pour : Liste représentative

Communautés concernées : All people of Iran
By the dawn of the first day of winter (21th December, solstice winter) the longest night of the year, called Shab-e Chelle (“Chelle night”) or Shab-e Yaldã(“Yaldã night”) comes to an end. Following this event, the length of the days increases gradually. It is for this fact that Shab-e Chelle is described as the “night of the birth of the sun”. Yaldā constitutes one of the four major seasonal feasts of Iran and is known as one of the most ancient national festivals of the country. Public sympathy and love provide this ritualistic festival with one of its defining features. This ICH element is transmitted to younger generations mainly through oral and informal means. There are a number of beliefs and traditions prevailing among people about Shab-e Chelle ceremonies. Among the features associated with this element, the outstanding presence of the color “red” is significant; red pomegranates, red water-melons, red grape products, and the like, which constitute inseparable parts of the ceremonies are only some examples. Gathering in the elders’ houses, round a special Sofre (“table cloth spread on the ground”), on which various ritualistically regarded elements are set for consumption (including the abovementioned red elements, as well as Shab-e Chelle nuts, Shab-e Chelle traditional Iranian Soup, and various other food stuff. - Recitations from Divan-e Hafez, Shahname of Ferdowsi. - Story-telling , especially by elders of the family - Singing songs, and playing musical instruments.