GUO, Yicong (1940 - )

Respectful of the traditions of Chinese painting, Guo Yicong here combines both the GongBi and XieYi techniques.

The name Gong Bi has multiple meanings. It can signify "refined", "thorough", or "delicate". Bi generally indicates the tools used for writing, but may also indicate the actual act of writing. The Gong Bi technique therefore looks for delicacy and detailed precision; it requires a good technique and, above all, patience.

"XieYi" signifies "to write" (Xie) and "meaning" (Yi). Zhang Daqian, an important master of Chinese painting, said that this technique draws upon the essence of beings. Xie Yi painting encompasses various calligraphy techniques that allow for spontaneity; such works are therefore executed very quickly, but require much practice.

Guo Yicong's preferred subject matters are flowers and birds; in this vertical composition, he depicts clusters of flowers using vivid hues of pink, green and blue. His technique consists of accentuating the outlines of the flowers and leaves, creating a pleasing decorative effect. The presence of a light green color lining the lilies at the center of the composition adds originality to the work and makes the flowers stand out. Thanks to Guo Yicong's extremely subtle and delicate use of ink, going from deep black to faded grey, this work reflects a magical moment in nature: spring bloom after winter.

Artist biography

Guo Yicong was born in 1940 in Weifang, in the province of Shandong (China). In 1962 he graduated from the Beijing/Peking School of Arts. He is today President of the Art Association of Chinese Artists’ Committee on Chinese painting, as well as professor at the Central Academy of Fine Arts.