Wave by a'strict

Digital Creativity Lab

Since 2008, the Republic of Korea has supported a strong and dynamic cultural sector through the operationalization of the Convention on the Protection and Promotion of the Diversity of Cultural Expressions. Funding more than 20 UNESCO projects, the Korea Funds-In-Trust (K-Fit) for the Development of Creative Industries has been key in building an enabling environment for creative entrepreneurship in developing countries, contributed to awareness raising and advocacy and supported policy design for the cultural and creative sectors. Through these investments, artists and cultural professionals have developed the capacity to create, produce, disseminate and access a wide diversity of cultural expressions.

BUILDING SKILLS: CREATING AN ENABLING ENVIRONMENT FOR CULTURAL ENTREPRENEURS

With annual global revenues of US$ 2, 2250 billion, the cultural and creative sectors provide nearly 30 million jobs worldwide and employ more people aged 15-29 than any other sector. These sectors are now major drivers of sustainable development, particularly in developing countries. Ensuring that artists and cultural professionals have the skills required to succeed in the creative economy is essential.

UNESCO-KFIT has recognized this potential and is actively investing in projects that support, through sectoral mapping and assessments, strengthened human and institutional capacities. In Uganda and Uzbekistan, cultural professionals have gained practical skills in creation, design and marketing as well as in business and management. As a result, cultural entrepreneurs have greater access to markets, distribution networks and international cooperation mechanisms.

Resting (休) by Boo Jihyun

CREATING NETWORKS: NETWORKING IS KEY TO SUCCESSFUL ADVOCACY AND AWARENESS RAISING

Transparent and informed cultural policies call for the collaborative participation of a variety of actors, including governments and civil society. By bringing the concerns of different cultural actors to the attention of public authorities, civil society organizations (CSOs) contribute to greater transparency and accountability. Recognizing this fundamental role, UNESCO and KFIT encourage the active participation of CSOs in all levels of cultural policymaking.

Through its projects in Lao PDR, Thailand and the Asia-Pacific region, UNESCO-KFIT is strengthening policy advocacy by creating networking opportunities, where cultural actors can collaborate and form partnerships. Such opportunities support information sharing, knowledge transfer and foster innovation. This also includes expanding and diversifying UNESCO’s Expert Facility, which provides advisory technical assistance to countries across the globe.

Starry beach by a'strict

SUPPORTING POLICY DESIGN: MONITORING IS INDISPENSABLE TO ENSURING POLICIES MEET THE CULTURE SECTOR’S NEEDS

By monitoring the implementation of cultural policies, countries can assess the state of their creative sectors, evaluate goals and identify priority areas for future action. As signatories to the 2005 Convention, governments have committed to gathering and reporting on policies and measures that protect and promote the diversity of cultural expressions. Periodic reporting has become particularly important in countries that lack mechanisms and monitoring frameworks to evaluate their cultural policies.

Cooperation between stakeholders is essential to ensuring the accuracy of the data collected. It is also key in determining whether policies and measures are supporting the intended cultural actors and sectors. UNESCO- KFIT is working to ensure that these monitoring processes and other assessments are carried out in a participatory manner with all concerned cultural actors. Recognizing that policies to support the culture sector involve multiple government agencies, UNESCO-KFIT supports inter-ministerial cooperation to ensure the sustainability of its actions.

The Brave New World by Vive Studios

Digital Creativity Lab

Jan 2022

Countries: Cambodia, Indonesia, Kazakhstan, Kyrgyzstan, Lao People's Democratic Republic, Myanmar, Republic of Moldova, Singapore, Tajikistan, Thailand, Uzbekistan, Viet Nam

Supporting policy platforms for creativity in the ASEAN region

Feb 2020 to Feb 2022

Countries: Brunei Darussalam, Cambodia, Indonesia, Malaysia, Philippines, Singapore, Thailand, Timor-Leste, Viet Nam

Strengthening Film Industries in Central Asia

Jan 2020

Countries: Kazakhstan, Kyrgyzstan, Tajikistan, Uzbekistan

Strengthening regional and national capacities to develop cultural and creative industries in Asia and Pacific

Nov 2017 to Nov 2019

Countries: Australia, Bangladesh, China, India, Japan, Kazakhstan, Malaysia, Mongolia, Pakistan, Philippines, Republic of Korea, Solomon Islands, Thailand, Timor-Leste, Uzbekistan, Viet Nam

Creative Industries development for the diversity of cultural expressions – Strengthening the sustainability of creative industry in Lao PDR, Uzbekistan, and Rwanda

Jan 2017 to Dec 2020

Countries: Lao People's Democratic Republic, Rwanda, Uzbekistan

Creative industries development for the diversity of cultural expression-strengthening the sustainability of creative industry in Mongolia

Apr 2015 to Jun 2018

Countries: Mongolia

Creative industries development for the diversity of cultural expression-strengthening the sustainability of creative industries in Uganda

Apr 2015 to Mar 2019

Countries: Uganda

Creative futures : continued cooperation between UNESCO and the Republic of Korea
Creative futures
Film industries in Central Asia: a view today and towards the future
UNESCO
2021
This publication assesses the film industries of Central Asia and concerned legislation. It provides recommendations for its future development, international cooperation prospects and ways to improve the status of local culture professionals and creative entrepreneurs working in the cinema sector.
Film industries in Central Asia: a view today and towards the future
Backstage: Managing creativity and the arts in South-East Asia
UNESCO
2021
South-East Asia is a region rich in cultural diversity and dynamic in its creativity. The publication showcases the policy environments in which the creative sector is operating and concretely identifies areas in which exchanges and further development can be engineered to unleash the full potential of the sector.
Backstage: Managing creativity and the arts in South-East Asia
Creative Futures: A decade of cooperation between UNESCO and the Republic of Korea
UNESCO
2018
Through the Korea Funds-In-Trust (K-Fit) for the Development of Creative Industries, many developing countries have been supported in their efforts to invest in new contemporary creative areas, such as film and visual arts.
Creative Futures: A decade of cooperation between UNESCO and the Republic of Korea
Culture in crisis: policy guide for a resilient creative sector
UNESCO
2020
The COVID-19 pandemic has had a devastating effect on the cultural and creative industries, revealing and magnifying their pre-existing volatility. This practical guide offers advice on how to respond to the most pressing needs and how to induce the structural changes needed to strengthen the resilience of the cultural and creative industries and prepare for the “new normal”.
Culture in crisis: policy guide for a resilient creative sector

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